From the always magical year of 1986 comes The Lust Potion of Dr. F from prolific studio Western Visuals. The porno gimmick of the scientist developing some magical elixir that leads to everyone getting laid by super hot pornvixens is a classic device, but this lovely romp twists things into a more Jekyll and Hyde affair with Mike Horner taking this wonderdrug and being transformed into a pure beefcake male stripper played by Chris Chase (complete with red bow tie and collar) that allows him to have all manner of fornicating forays with his staff and anyone else who gets in the way.
The finale for the movie find Dr F bedding the true object of his dirty desires, the perenially pornolicious Krista Lane. Under the guise of his Chippendale-esque alter ego he has his licentious liasion with her to her gratious satisfaction. But the performance from Ms Lane is not the real highlight. Alas the pure sexual ecstacy provided by the the copulating couple is massively overshadowed by an enigmatic and dazzling synthual overture. The groans and moans of Krista provide the perfect vocal track to this mesmerizing music, a symbiosis of synths and sex making for some incendiary intimate intercourse.
Body Music from 1989 is one of those delightful little smutfests that delivers pure unadulterated sexfilled sleaze of the finest quality courtesy of Dreamland Entertainment. Todays vintage VHS visitation takes to the second scene where we find the enormously endowed Keisha lounging in her jacuzzi awaiting Peter North to make her feel like a woman again. And again, and again....
The jacuzzi is one of the sexiest of all classic porn locations, the bubbling, the wetness, the brevity of skimpy swimwear all combine into one erotically engorged environment. This scene takes passions to whole new level with the rapturously raunchy soundtrack of hot and dripping synth erotica. Tempos and temperatures are kept boiling with keyboards soaring as the percussion matches the action thrust for insatiable thrust. The result will leave you exhausted, exhilarated and thoroughly soaked through.
It seems only yesterday we began our journeys into the wonderous realms of Synth Erotica, but we've already reached the first milestone with this post being the 50th.
For this special occassion I'm celebrating but not just posting one or two songs from a soundtrack but to commemerate this event I'm posting the entire soundtrack. From start to finish, the whole furry enchilada. Of course this wouldn't be worth the effort for most adult features, but Cabaret Sin provides the single most amazing soundtrack I'm yet to experience. We're not just talking a few scene soundtracks with dialogue in between. Oh no. We're talking a fully orchestrated synthually composed epic that provides sensuously symphonic sounds for the entire feature. The music is peerless. Moody, dark, sexxxy, thrilling and utterly flawless from conception to climax.
Cabaret Sin is a massively ambitious production, essentially following a similar plot line to Bladerunner, with many direct homages to it's scenes. But also adding a whole lot of perverted passion thanks to the Pleasure Dome bar, where most of the raunchier rendezvous take place. This is adult auteur cinema of the highest calibre and is the high water mark for synth soundtracks. I won't go into details and scene descriptions as this work speaks for itself.
So please, sit back and relax and allow the complete soundtrack, written and performed by Cinema Symphonys, to take you to places where your darkest pleasures and most seductive fantasies come to life: Cabaret Sin.
Of all the 80s themes in adult features my absolute personal favourite is the aerobics/gym gimmick. Like Pumping Flesh (posted in April of this year)Aerobic Sex provides massive amounts of tight steamy lycra and luscious legwarmers. Acres of bouncing bodacious booty gets worked out eight ways til Sunday in a neon coloured 80s dream. I endeavour to uncover all of the classic aerobics themed features over the course of our travels into Synth Erotica, but Magma's classic from somewhere around 1985 bring us copious amounts of copulating composition delectably drenched in synthesized succulence.
The first of this tantalising trio accompanies the first work out vignette where the movies lead, Busenstar Astrid is working out on her own before being interrupted by another gym member who becomes so hot and bothered from Astrid's display that she must have a lesbian triste with another girl in the change room. The music is uttterly flawless Synth Erotica with passionate percussion and raunchy rhythms that will get your heart racing and your lusting peaking in no time.
The second track is another texxxtbook piece of Synth Erotica, only this time we're taken on an interstella sexual slowride with with sweeping synths and dreamy melodies accentuating the action. This piece accompanies a scene in which Astrid's sexual exhaustion and ecstacy leads her to urinate all over the gym mats she was previously being made love to on. Such perverted pleasures are a mainstay of the Magma line, the depication of the female act of urinating combined with such epic Synth Erotica is a very rare and special combination.
The final installment of Aerobic Sex's Masterpiece Synth Erotica is provided by the classic group work out scene. The girls are working hard, realllly hard. So hard that one of them begins fantasizing about being carnally compromised on the gym floor. But the gyrating girls keep working out, the tesing close ups of their lycra clad bodies is almost to much to take when the Synth Erotica kicks in and all passions rise to fever pitch. The sweat glistens and the synthesizers melodies drive the girls to even more wanton acts of lust and desire.
As our journeys into the intimate realms od Synth Erotica continue we're occassionally taken down roads less travelled; dark and unknown paths that leads to unexpected and unrestrained sexual surprises. This is one of those occassions.
Little is known about this clip aside from it being from a complilation entitled Lusty Ladies under the direction of Leon Gucci. My own hypothesis is that the scene itself was shot in the late 70s as an, what's known in the pornographic parlance, 8mm loop that was mainly shown in adult theatres or smut booths. The vintage of the action is surely mid to late 70s judging by the rollerskating plot device and the fashions displayed. Many of these loops were later released on VHS compilations in the early 80s, and I believe this to be one that has undergone a re-dub and had a more modern soundtrack added. I will investigate further and will hopefully source more clips that feature such magnificently orchestrated soundtracks.
What we have in Roll Her Derby is a supremely and suavely symphony of sexualised synthesized sound that's sheer class shines through the poorly mastered source and will give the listener thrill after thrill of electronic ecstacy.
One thing that always stands out to me in what separates modern and vintage adult entertainment (beyond the soundtracks, of course!) is one simple, but always sexy, ingredient: fun. Vintage porn is fun. The performers have fun. The producers have fun. And as a bonus to all the terrific titilation, the watcher also has fun. The sex itself might be serious business, but theres always an air of frivolity and lightheartedness, and the 'entertainment'side was just as important as the 'adult' side.
A fantastic example of this is 1988's Candy's Little Sister Sugar from Vidco. A delightful little Tami White vehicle (who plays the titular Sugar) that involves her looking for lost sister and basically going on a porn-scapade of undercover activity to find her lost sister.
The highlight of the movie is a wonderful little scene involving the always entertaining John Leslie and the always eager Lauryl Canyon. The scene works a great reverse-hypnotism plot device that gets Lauryl seducing the hell out of the helpless Leslie. But the action, while kept ultra-sexy is augmented by a bass driven Synth Erotica track that builds to a crescendo of cataclysmic coital collusion. A completely entrancing piece of mood moistening music.
I hope you enjoy this delicious morsel, by all means, but make sure you have fun doing so.
The Apprenticeship of a Teenager is an adult feature that could only be made in Europe. The scenarios are pure europorn gold that brings together the innocence of the classic teenage series combined with the filthiest and most rampant of sexualised cinema. These style features were massively popular in the 70s and were the go-to storylines for many of the classic Color Climax loops and the european-style of making porno fun was something lost over time. But these wonderful movies serve as a wonderful reminder of how the european producers so regularly provided innocence and comedy along with insatiable sexual performances.
Scene 4 of Lehrjahre eines Teenagers uses the mechanic's garage as a fantastic plot devices to get a bunch of horny nubiles carnally coerced into luridly lascivious love making. As with many early 80s european adult features the sound track is predominantly 70s pop or orchestral in nature but this scene is treated with a magnificently written piece of early Synth Erotica that again spans the musical styles that divide the 70s and 80s. It's a short but succulently sweet track that I hope you enjoy as much as I did.
